Overview
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Typography is the art of manipulating the visual form of language to enrich and control its meaning. It’s an essential area of skill and knowledge for graphic designers. Typography predates modern graphic design by around 500 years; it is rich in rules, conventions, and esoteric terminology—but it remains an exciting space for invention and expression.
In this rigorous introductory course, we will study, name, and measure the characteristics of letterforms. We’ll consider the pragmatic concerns involved in selecting and combining type. We’ll peek into the 
rich historical, cultural, and aesthetic histories of familiar typefaces. We’ll discuss time-tested conventions and best practices in setting type, as governed by principles of hierarchy and spatial organization. And we’ll explore the expressive, meaning-making potential of type.
Informative lectures will be complemented by a series of three peer-assessed assignments, culminating 
in an opportunity to design a full-scale typographic poster.
Please note that this is not a software course; a basic working knowledge of Adobe InDesign or other 
page layout software will be assumed. You will need access to a computer and page layout software, such as InDesign, to complete the assignments.
Syllabus
- Week 1: Anatomy & Metrics
- Master the foundational mechanics of letterforms by analyzing typefaces as both physical artifacts and engineered design systems. This week, you will conduct a rigorous study of typographic anatomy, identifying the formal elements—such as counters, terminals, and x-heights—that define a typeface's unique character. You will gain technical fluency in the Standard Point System and pica measurements to describe and scale type with professional precision. By evaluating the form and proportion of glyphs, you will develop a strategic framework for font pairing and optical hierarchy, ensuring your typeface selections are both historically informed and functionally sound. The module concludes with a technical assessment of your typographic literacy.
- Week 2: Historical Context & Classification
- Investigate how typefaces function as visual signifiers, carrying deep connotative meaning through their historical and cultural associations. This week, you will conduct six technical case studies on landmark typefaces—including Bembo (Humanist), Didot (Modern), Clarendon (Egyptian), and Helvetica (Modernist)—to understand how their forms were shaped by technological shifts like the Industrial Revolution and the Avant-Garde movement. You will master the standard classification system to categorize letterforms and apply visual semiotics to decode the "stories" fonts tell within different design contexts. The module culminates in an independent typographic research project, where you will analyze the formal and cultural trajectory of a typeface of your choosing.
- Week 3: Grid Systems & Typographic Hierarchy
- Master the technical and aesthetic conventions of professional typesetting by manipulating the spatial relationships within a layout. This week, you will develop high-level proficiency in micro-typography, specifically controlling kerning (letter-spacing), leading (line-spacing), and tracking to optimize legibility and visual tone. You will implement rigorous typographic hierarchy and baseline grid systems to organize complex information and establish clear navigational paths for the reader. By applying established industry standards for orphans, widows, and rags, you will add professional polish to your designs across both print and digital environments. This module features hands-on typesetting projects and a technical assessment of your layout precision.
- Week 4: Expressive Typography & Poster Design
- Synthesize your technical and historical knowledge to master the art of expressive typography. This week, you will move beyond functional legibility to explore experimental typesetting as a vehicle for visual metaphor and conceptual depth. By analyzing the boundary-pushing work of CalArts designers and contemporary practitioners, you will learn to intentionally deconstruct typographic rules to amplify a text's emotional and narrative resonance. The course culminates in a capstone portfolio project: the design of a full-scale typographic poster. In this final synthesis, you will apply rigorous compositional hierarchy and connotative strategy to transform language into a high-impact, professional-grade visual statement.
Taught by
Anther Kiley
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Reviews
4.5 rating, based on 11 Class Central reviews
4.8 rating at Coursera based on 5825 ratings
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Great course and unique subject. The course provides some basic introduction to typography, offers some solid historical background and leads to some practical excercises.
Please, note that the courses from California Institute of the Arts does not provide any information about tools and using them. I'm Inskcape user and it helped me a lot in assignments. You need to have some skills related to vector graphics or DTP to make some excercises here. -
This is a good introduction to typography in the digital age, teaching terminology and basic design considerations. You work on a project that builds on itself over three weeks as you are introduced to those considerations.
Note: you don't need expensive (InDesign) or complicated (Scribbus) software for your project, I did everything in OpenOffice Draw (free office suite software available for Windows, Mac, and Linux). Also, I probably got far more into the project than was actually required. -
It is a great class. before i started it i barely liked fonts, now fonts and me are like ying and yang. This is probably the best course to take if you are a begginer typographer.
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As a beginner in typography, I am very happy I took this course. The videos are, alas, short, but the information in them is very concentrated. Also I really liked the speaker of the course, his way of telling the history of typography was very interesting.
Other than that, I found the assignments very logically structured: we are supposed to focus on one font and through its understanding we learn things and then get to make our typography poster in the end.
I loved this course much more than the "fundamentals course'. Glad I took it. -
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