Premiere Pro Guru: Fixing Video Exposure Problems

Introduction

• Welcome
• What you should know before watching this course
• Using the exercise files

1. Evaluating and Adjusting Images

• Set up a Color Correction workspace
• Using the Waveform Monitor
• Using the Vectorscope
• Using the RGB Parade
• Toggling an effect to compare
• Using adjustment layers
• Adding masks

2. Making Basic Corrections with the Lumetri Effect

• Applying an Input LUT
• Fixing your white balance
• Getting a properly toned image
• Restoring the correct saturation
• Saving basic corrections as an Input LUT

3. Making Creative Corrections with the Lumetri Effect

• Applying a Creative Look
• Adjusting filmic qualities
• Sharpening your video
• Adjusting color stylistically
• Saving creative corrections as a Look

4. Restoring Color and Tone with Curves and Color Wheels

• What is a curve?
• Using RGB curves
• Using Hue Saturation Curves
• Balancing color with color wheels

5. Making Secondary Corrections

• The role of secondary correction
• Creating a selection for secondary correction
• Refining a selection to avoid jitter

6. Managing the Lumetri Effects

• Copying, pasting, and removing attributes
• Creating presets
• Managing Looks and LUTs

7. Other Useful Color and Tone Effects

• The Levels effect
• Relighting a scene with the Lighting Effects effect
• Stabilizing exposure with the Color Stabilizer effect in After Effects
• The Change Color effect and Change to Color effect
• Neutralizing color with the CC Color Neutralizer in After Effects

8. Controlling Noise and Grain

• Removing grain with After Effects
• Using Red Giant Denoiser
• Using Neat Video

9. Keyframing Effects

• When to keyframe an effect
• Adding keyframes
• Smoothing keyframe transitions with handles

10. Using Blend Modes to Improve Footage

• Fixing overexposed footage
• Fixing underexposed footage
• Adding a stylized vignette or border
• Adding contrast with a black-and-white effect

11. Working with Raw Video

• Why shoot raw video?
• Working with a .R3D file
• Working with a DPX sequence

12. Legalizing for Broadcast

• Why legalize?
• Using the Video Limiter effect

Conclusion

• Goodbye