The major texts of Western culture are a gateway to wisdom that can widen your views on self and society in enduring ways. The extraordinary body of literature given us by writers from antiquity to the present day, as Professor Weinstein notes, “is potent stuff, serving not only as transcription of history but also as a verbal Pandora's box, capable of shedding light on those transactions which remain in the dark for many of us: love, death, fear, desire. We are talking about more than artful language; we are talking about the life of the past and the life of the world.” It is truly a monumental legacy. And now you can examine its most important works - whether drama, poetry, or narrative - in this series of 64 penetrating lectures that reveal astonishing common ground. You'll see how this award-winning teacher uses several different analytical perspectives, including Feminism, Marxism, Freudianism, Deconstruction, Postmodernism, and New Historicism, to give us fresh insight into persisting human themes like rites of passage; the “fit” or “misfit” between self and society; the creation of an identity; and the play, weight, and presence of the past in understanding our present. You learn how drama makes visible the conflicts and wars of culture in ways other forms cannot manage. How poetry can go to the heart of human existence with a purity and power akin to surgery, bidding us to challenge and change the way we usually do business. And how narrative can tell life stories in ways that enable a possession of that life that is hardly imaginable any other way.
Become a Data Analyst: Clean, Analyze, and Visualize Real Data in Python
Finance Certifications Goldman Sachs and Amazon Teams Trust
Overview
Google, IBM & Meta Certificates – 40% Off a Year
One Coursera Plus subscription covers most Professional Certificates on Coursera. 40% off a full year through Dec 2.
Unlock All Certificates
Syllabus
- Why Literature—Civilization and Its Discontents
- “Oedipus the King” and the Nature of Greek Tragedy
- Fate and Free Will—Reading the Signs in Oedipus
- Self-making vs. Self-discovery in Oedipus
- The Interpretive Afterlife of Oedipus
- Shakespeare's Othello—Tragedy of Marriage and State
- Poison in the Ear, or the Dismantling of Othello
- Rethinking Othello—Race, Gender and Subjectivity
- French Theater and Moliere's Comedy of Vices
- Tartuffe and Varieties of Imposture
- Religious Hypocrisy—Beyond Comedy
- Georg Büchner—Physician, Revolutionary, Playwright
- Woyzeck the Proletarian Murderer— “Unaccommodated Man”
- Woyzeck and Visionary Theater
- Strindberg's Father—Patriarchy in Trouble
- Marriage—Theatrical Agon or Darwinian Struggle?
- The Father—From Theater of Power to Power of Theater
- Beckett's Godot—Chaplinesque or Post-nuclear?
- Beckett and the Comedy of Undoing
- Godot Absent—Didi and Gogo Present
- Study of Literature—Approaches, Encounters, Departures
- Shakespeare's Sonnets—The Glory of Poetry
- The Shape of Love and Death in Shakespeare's Sonnets
- Innocence and Experience in William Blake
- Blakean Fables of Desire
- Blake—Visionary Poet
- Whitman and the Making of an American Bard
- Myself as Whitman's Nineteenth-Century American Hero
- Form and Flux, Openness and Anxiety in Whitman's Poetry
- Emily Dickinson—The Prophetic Voice from the Margins
- Dickinson and the Poetry of Consciousness
- Dickinson—Death and Beyond
- Baudelaire—The Setting of the Romantic Sun
- Baudelaire's Poetry of Modernism and Metropolis
- Robert Frost—The Wisdom of the People
- Frost—The Darker View
- Wallace Stevens and the Modernist Movement
- Stevens and the Post-Romantic Imagination
- Adrienne Rich and the Poetry of Protest
- Rich's Project—Diving into the Wreck of Western Culture
- The Lives of the Word—Reading Today
- Chretien de Troyes' Yvain—Growing Up in the Middle Ages
- Yvain's Theme—Ignorant Armies Clash By Night
- The Picaresque Novel—Satire, Filth and Hustling
- Francisco Quevedo's Swindler—The Word on the Street
- Daniel Defoe's Plain Style and the New World Order
- Moll Flanders and the Self-made Woman
- Matter and Spirit in Defoe
- Dickens—The Novel as Moral Institution
- Pip's Progress—From Blacksmith to Snob and Back
- Riddles of Identity in Great Expectations
- Charlotte Brontë and the Bildungsroman
- Jane Eyre—Victorian Bad Girl Makes Good
- The Madwoman in the Attic—19th Century Bills Coming Due
- Melville's “Bartleby” and the Genesis of Character
- “Bartleby"—Christ on Wall Street?
- Franz Kafka's “Metamorphosis"—Sacrifice or Power Game?
- Kafka's “In the Penal Colony"—The Writing Machine
- Faulkner's “The Bear"—Stories of White and Black
- The Bear—American Myth or American History?
- Tracking the Bear, or Learning to Read
- Alice Walker's Celie—The Untold Story
- Ideology as Vision in The Color Purple
- Reconceiving Center and Margin
Taught by
Arnold Weinstein