For more than 1,500 years, the literature of Great Britain has taught, nurtured, thrilled, outraged, and humbled readers both inside and outside its borders. Chaucer, Shakespeare, Dickens, Austen, Swift, Conrad, Wilde - the roster of powerful British writers is remarkable. More important, Britain's writers have long challenged readers with new ways of understanding an ever-changing world. This series of 48 fascinating lectures by an award-winning professor provides you with a rare opportunity to step beyond the surface of Britain's grand literary masterpieces and experience the times and conditions they came from and the diverse issues with which their writers grappled. The unique insights Professor Sutherland shares about how and why these works succeed as both literature and documents of Britain's social and political history can forever alter the way you experience a novel, poem, or play. More than just a survey, these lectures reveal how Britain's cultural landscape acted upon its literature and how, in turn, literature affected the cultural landscape. Professor Sutherland takes a historical approach to the wealth of works explored in these lectures, grounding them in specific contexts and often connecting them with one another. All the great writers that come to mind when you think of British literature are here, along with unique looks at their most popular and powerful works. You also enjoy the company of less-familiar voices and contemporary authors who continue to take literature into new territories.
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Syllabus
- Anglo-Saxon Roots—Pessimism and Comradeship
- Chaucer—Social Diversity
- Chaucer—A Man of Unusual Cultivation
- Spenser—The Faerie Queene
- Early Drama—Low Comedy and Religion
- Marlowe—Controversy and Danger
- Shakespeare the Man—The Road to the Globe
- Shakespeare—The Mature Years
- Shakespeare's Rivals—Jonson and Webster
- The King James Bible—English Most Elegant
- The Metaphysicals—Conceptual Daring
- Paradise Lost—A New Language for Poetry
- Turmoil Makes for Good Literature
- The Augustans—Order, Decorum, and Wit
- Swift—Anger and Satire
- Johnson—Bringing Order to the Language
- Defoe—Crusoe and the Rise of Capitalism
- Behn—Emancipation in the Restoration
- The Golden Age of Fiction
- Gibbon—Window into 18th-Century England
- Equiano—The Inhumanity of Slavery
- Women Poets—The Minor Voice
- Wollstonecraft— “First of a New Genus”
- Blake—Mythic Universes and Poetry
- Scott and Burns—The Voices of Scotland
- Lyrical Ballads—Collaborative Creation
- Mad, Bad Byron
- Keats—Literary Gold
- Frankenstein—A Gothic Masterpiece
- Miss Austen and Mrs. Radcliffe
- Pride and Prejudice—Moral Fiction
- Dickens—Writer with a Mission
- The 1840s—Growth of the Realistic Novel
- Wuthering Heights—Emily's Masterwork
- Jane Eyre and the Other Brontë
- Voices of Victorian Poetry
- Eliot—Fiction and Moral Reflection
- Hardy—Life at Its Worst
- The British Bestseller—An Overview
- Heart of Darkness—Heart of the Empire?
- Wilde—Celebrity Author
- Shaw and Pygmalion
- Joyce and Yeats—Giants of Irish Literature
- Great War, Great Poetry
- Bloomsbury and the Bloomsberries
- 20th-Century English Poetry—Two Traditions
- British Fiction from James to Rushdie
- New Theatre, New Literary Worlds
Taught by
John Sutherland