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20th-Century American Fiction

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Overview

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Hemingway. Fitzgerald. Faulkner. These and other giants of literature are immediately recognizable to anyone who loves to read fiction and even to many who don't. Now, thanks to these 32 lectures, you can develop fresh insight into some of the greatest American authors of the 20th century. Professor Weinstein sheds light not only on the sheer magnificence of these writers' literary achievements but also explores their uniquely American character as well. Despite their remarkable variety, each author represents an outlook and a body of work that could only have emerged in the United States. As such, the aim of these lectures is to analyze and appreciate some of the major works of American fiction, using as a focal point the idea of freedom of speech. The works you'll investigate here include Winesburg, Ohio (among the most poignant descriptions of life at the beginning of the century); Light in August (which depicts the ravages of racism in the American South); Their Eyes Were Watching God (the first – and perhaps the best – account of growing up black and female in America); Slaughterhouse-Five (a poignant and wacky take of mass destruction and aliens); Sula (an experimental novel that makes rubble out of the conventions of black and white culture); and White Noise (which depicts our encounter with the technological madhouse in which we live). These American fictions, seen together, tell a composite story about coping, about fashioning both a story and a life. Much is dark in these stories, but the honesty and integrity of these writers makes us realize that reading is as much a lifeline as it is entertainment or education.

Syllabus

  • American Fiction and the Individualist Creed
  • The American Self—Ghost in Disguise
  • What Produces “Nobody”
  • Sherwood Anderson's “Winesburg, Ohio"—Writing as the Talking Cure
  • “Winesburg"—A New American Prose-Poetry
  • Hemingway—Journalist, Writer, Legend
  • Hemingway as Trauma Artist
  • Hemingway's Cunning Art
  • F. Scott Fitzgerald— “Tender Is the Night"—Fitzgerald's Second Act
  • Fitzgerald's Psychiatric Tale
  • Dick's Dying Fall—An American Story
  • “Light in August"—Midpoint of the Faulkner Career
  • “Light in August"—Determinism vs. Freedom
  • “Light in August"—Novel as Poem, or, Beyond Holocaust
  • Zora Neale Hurston's “Their Eyes Were Watching God"—Canon Explosion
  • “Their Eyes Were Watching God"—From Romance to Myth
  • Flannery O'Connor—Realist of Distances
  • O'Connor—Taking the Measure of the Region
  • Williams Burroughs—Bad Boy of American Literature
  • “Naked Lunch"—The Body in Culture
  • “Naked Lunch"—Power and Exchange in the Viral World
  • Kurt Vonnegut's “Slaughterhouse-Five"—Apocalypse Now
  • Vonnegut's World—Tralfamadore or Trauma?
  • Robert Coover—Postmodern Fabulator
  • “The Public Burning"—Execution at Times Square
  • Robert Coover—Fiction as Fission
  • Toni Morrison's “Sula"—From Trauma to Freedom
  • “Sula"—New Black Woman
  • Don DeLillo—Decoder of American Frequencies
  • “White Noise"—Representing the Environment
  • DeLillo and American Dread
  • Conclusion—Nobody's Home

Taught by

Arnold Weinstein

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