The Greek tragedians Aeschylus, Sophocles, and Euripides produced a group of plays whose grandeur and uncanny power are undiminished despite the passage of 2,500 years. Two-and-a-half thousand years after they were written, ancient Greek Dramas such as Eumenides, Oedipus the King, and Trojan Women retain a compelling, almost incantatory power. These plays have attracted focus and reflection from Aristotle, Freud, Nietzsche, and others. Led by Dr. Elizabeth Vandiver is Professor of Classics and Clement Biddle Penrose Professor of Latin at Whitman College in Walla Walla, Washington, these lectures are designed to give you a full overview of Greek tragedy, both in its original setting and as a lasting contribution to the artistic exploration of the human condition. Professor Elizabeth Vandiver's 24 engrossing lectures shed revealing light on both the context and the content of these stunning dramas from Athens's Golden Age.
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Syllabus
- Tragedy Defined
- Democracy, Culture, and Tragedy
- Roots of a Genre
- Production and Stagecraft
- Aeschylus—Creator of an Art Form
- “The Oresteia"—Mythic Background
- “The Oresteia"— “Agamemnon”
- “The Oresteia"— “Libation Bearers” and “Eumenides”
- A Master of Spectacle
- The Three “Electras”
- The Sophoclean Hero
- Antigone and Creon
- “Oedipus the King” I
- “Oedipus the King” II
- Two Tragedians, One Hero
- Greek Husband, Foreign Wife
- Phaedra, Hippolytus, and Aphrodite's Wrath
- Euripides on War and Women
- Euripides the Anti-Tragedian
- The Last Plays of Euripides
- Euripides and the Gods
- The Last Plays of Sophocles
- Other Tragedians and a Comedian
- The Tragic Legacy
Taught by
Elizabeth Vandiver