They appeared in a period of upheaval. They saw the rebuilding of Paris, the rise of industrialism, the ruin of the Franco-Prussian war. They displayed their startling and shocking works in a series of exhibitions from 1874 to 1886. And by the 1890s, this “loose coalition” of artists who rebelled against the formality of the French Academy had created the most famous artistic movement in history. “They” were the Impressionists, and Professor Brettell is your expert curator and guide to a movement that created a new, intensely personal vision of the world.
Whether the subject was a city street, a holiday beach, a harvest field, or a demoiselle's boudoir, they virtually invented the sensibility—urbane, contemporary, ever-changing—that today we take for granted as the “modern.” Who were the Impressionists? What's the difference between a Manet and a Monet? How does a Pissarro landscape differ from one by Cézanne? Were they really as personally scandalous as the Establishment alleged? These artists documented life in the latter half of the 19th century and provided models of behavior, decorum, and urban beauty that persist to this day. This series of lectures will introduce you to the style, subject, and function of Impressionist painting by artists including Monet, Renoir, Cassatt, Cézanne, Toulouse-Lautrec, and van Gogh. Separate analysis is given to the important Impressionist exhibitions and their contemporary critics like the writer Baudelaire. Among key topics covered are the public and private worlds of Parisian modernity, life in the countryside, the new leisure class, and the influential legacy of Impressionism. One of the legacies of Impressionism is to leave the viewer with a profound sense of life—of life captured on the canvas, through motion, light, and color, and life lived by these remarkable artists, always seeking to experience and to learn, to better capture the reality before their eyes. This course is an absorbing lesson in the marvelous cultural, historical, and visual experiences that great paintings provide.Learn the Skills Netflix, Meta, and Capital One Actually Hire For
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Overview
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Syllabus
- The Realist and the Idealist
- Napoleon III's Paris
- Baudelaire and the Definition of Modernism
- The Shock of the New
- The Painters of Modern Life
- Pierre-Auguste Renoir
- Impressions in the Countryside
- Paris under Siege
- The First Exhibition
- Monet and Renoir in Argenteuil
- Cézanne and Pissarro in Pontoise
- Berthe Morisot
- The Third Exhibition
- Edgar Degas
- Gustave Caillebotte
- Mary Cassatt
- Manet's Later Works
- Departures
- Paul Gauguin
- The Final Exhibition
- The Studio of the South—Van Gogh and Gauguin
- Henri de Toulouse-Lautrec
- The Nabis
- "La Fin"
Taught by
Richard Brettell