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Swayam

20th Century Literary Criticism and Theory-I

via Swayam

Overview

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ABOUT THE COURSE: This course- 20th Century Literary Criticism and theory- aims at acquainting UG and PG students with Modern Literary Criticism and Theory as it developed in the 20th century. Literary criticism which used to be author centric until the 19th century becomes text-centric in the 20th century and the form of literature becomes more important with special focus on the analysis of style and use of language. Thus, emerge formalistic approaches to literature in form of movements, isms, or schools of criticism/theory instead of being individual centric and insular in nature. New Criticism, Russian Formalism, Chicago School of Criticism, Structuralism, Poststructuralism and Reader Response Criticism are the movements which primarily flourished in the first half of the twentieth century and may be seen as formulating parameters of creative and critical thinking in literary studies which are more appropriately called theories in the post-World War II era. It also takes into account theories of language and sign such as Semiotics, Stylistics and Speech Act Theory. So, it also seeks to look at the nuanced distinction between criticism and theory which are often used interchangeably. Along with providing an overarching view of these movements, the course also delves deep into important essays and concepts written and coined by the chief exponents of these movements. INTENDED AUDIENCE: UG, PG StudentsPREREQUISITES: Literary Criticism from Classical Antiquity to The Victorian Age (From Plato to T. S. Eliot)

Syllabus

Week 1:
(i) Introduction to Literary Criticism and Theory
(ii) Modern Criticism -T S Eliot
(iii) Principles of Criticism- I A Richards
(iv) Criticism and Culture- F R Leavis
Week 2:
(i) Anglo American/ New Criticism: Basic Tenets
(ii) Fallacies in Criticism- Wimsatt and Beardsley
(iii) New Critics and Concepts I- Ransom and Brooks
(iv) New Critics and Concepts II- Empson and Blackmur
(v) Debating Language and Knowledge: New Critics
Week 3:
(i) Russian Formalism: History and Origin
(ii) Russian Formalism Key Concepts
(iii) Types of Formalism: Russian Formalists
(iv) Russian Formalist’s Approach to Poetry
(v) Russian Formalist’s Approach to Fiction
Week 4:
(i) Structuralism: Origin and Links to Formalism
(ii) Structuralism and Ferdinand de Saussure
(iii) Structuralists Poetics: Jakobson, Propp,
(iv) Structuralist Anthropology and Myth: C Levi Strauss and Northope Frye
(v) Structuralism and Narratology: Barthes, Gennet
Week 5:
(i) Post-Structuralism: A Critique of Structuralism
(ii) Deconstruction: Derrida and His Acolytes-I
(iii) Deconstruction: Derrida and His Acolytes-II
(iv) Deconstruction Literature and Philosophy
(v) Post Structuralism and its Influence
Week 6:
(i) Reader- Response Criticism
(ii) Phenomenology: Husserl and Heidegger
(iii) Hermeneutics
(iv) Reception Theory
(v) Reader Response Critics: Jauss, Iser, Fish and Bleich
Week 7:
(i) Semiotics and Post-Semiotics
(ii) Stylistics
(iii) Speech Act Theory
(iv) Chicago School of Criticism
Week 8:Tests and Assignments

Taught by

Dr. Ashish Kumar Pathak

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