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19:10 - Intro to Modes/Relative Keys
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Classroom Contents
Connect Triads and Scales with this Simple Exercise - Guitarists Ignore It, Pianists Nail It Instantly
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- 1 00:00 - Introduction
- 2 00:43 - Comparing the Same Exercise on Piano and Guitar
- 3 01:09 - Lesson Overview what’s to come
- 4 02:12 - 21 Page PDF Packet Overview
- 5 03:32 - Part 1 of Lesson - The Theory of Triads in a Key
- 6 05:53 - Playing All Chords of a Key in One Position
- 7 06:23 - Why It’s HARD For Guitar Players to See This!
- 8 07:55 - Technical Challenges of The Exercises that don’t exist on piano
- 9 09:20 - Technique Tips rolling the fingers
- 10 10:18 - The Two Scale Patterns We’re Going to Use for the Exercises
- 11 10:35 - Relative Major and Minor Explained
- 12 11:14 - Other Variations of the Exercise we’ll cover 7th Chord Arpeggios, etc.
- 13 12:10 - GUIDED EXERCISE 1 - 2 eighth notes, and a quarter note
- 14 13:10 - GUIDED EXERCISE 2 - all eight notes
- 15 14:04 - GUIDED EXERCISES 3 - all sixteenth notes
- 16 14:35 - Demo of CREATIVELY Practicing this exercise
- 17 15:23 - Tips on Practicing for Note Memorization
- 18 17:20 - GUIDED EXERCISE 4 - 7th Chord Arpeggios
- 19 18:32 - GUIDED EXERCISE 5 - Up One Triad, Down the Next
- 20 19:10 - Intro to Modes/Relative Keys
- 21 21:20 - Intro to A minor Scale Exercises in Diatonic Pattern 5
- 22 21:35 - GUIDED SCALE PRACTICE - A minor Scale - Diatonic Pattern 5
- 23 23:17 - GUIDED EXERCISE 6 - A minor - 2 Eighth Notes, and a quarter note
- 24 24:22 - GUIDED EXERCISE 7 - A minor - all eighth notes
- 25 25:05 - GUIDED EXERCISE 8 - A minor - sixteenth notes
- 26 25:26 - Applying This Pattern on “The Thrill is Gone” Improv
- 27 27:02 - Lesson Outro - What to Do Next!
- 28 28:30 - THANK YOU POW MUSIC PATRONS!!
