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Studies the practice and theory of painting with emphasis on individuality in painting techniques. Explores experimental methods and processes for visual expression. May be offered in a distance-learn
Continues the study of theory and practice of painting from Painting I with emphasis on individual projects. May be offered in a distance-learning format.
Continues the study of theory and practice of painting from Painting II with emphasis on defining and developing individual direction and portfolio. May be offered in a distance-learning format.
Teaches intaglio printmaking techniques in etching, drypoint, and monoprint. May be offered in a distance-learning format.
Expands the use of intaglio printmaking techniques taught in Printmaking: Etching and Intaglio for the creation of original fine art prints. May be offered in a distance-learning format.
Introduces the art and techniques of screen printing/serigraphy including stenciling, printing, care of prints, papers and proper studio use. Some of the class hours for this course may be scheduled a
Continues screen printing/serigraphy techniques including advanced stenciling, registration methods, print care and curating, papers and proper studio use. Some of the class hours for this course may
Introduces beginning-level materials and processes in sculpture. Some of the class hours for this course may be scheduled as To Be Arranged (TBA). May be offered in a distance-learning format.
Continues the study of materials and processes from Sculpture: Direct Processes I with an increased use of a wide variety of materials, which can be sculpted through direct processes. Emphasizes the a
Continues the study of sculptural processes from Sculpture: Direct Processes II with an increased awareness of materials, which can be transformed through direct approach. Emphasizes the application o
Teaches bronze casting for sculptural purposes, utilizing lost wax method, and rigid investments. Includes patination and presentation. May be offered in a distance-learning format.
Introduces moldmaking with an emphasis on constructing armatures, bas-relief, waste, piece, and flexible mold types using suitable materials in both positive and negative mode. Presentation of finishe
Presents painting techniques with both transparent and opaque watercolor media. Includes studio projects, outdoor painting, and abstract or nonobjective problems. May be offered in a distance-learning
Continues study and practice of watercolor techniques with an emphasis on experimental and individual problems. Further explores watercolor, opaque water-based media, polyvinyl, and acrylic resins. Ma
Introduces direct non ferrous metalsmithing and metal forming processes of raising, sinking, chasing and forging. Processes and design concepts are applied to small scale sculpture and/or jewelry proj
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