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This critique teaches artists to construct the human body from underlying anatomical forms instead of copying photographs. It covers primary, secondary, and tertiary forms, gesture and structure, and linear and tonal methods for showing three-dimensionality.
Syllabus
Intro
Bill Burrows
Shading
Linear vs Tonal
Constructing the Body
Studying the Bones
Gesture and Structure
Balancing Gesture and Structure
Outro
Taught by
Proko