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XuetangX

Twentieth-Century Chinese Literary Classics and Film

Xihua University via XuetangX

Overview

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This course is a general elective course for art students in universities. Centered on the theme of “Two Ways of Telling One Story,” the course selects ten classic works of modern and contemporary Chinese literature and their film adaptations for comparative study. The course is structured into four sections: “Youth and Love,” “History and Life,” “Poetry and the Distant Horizon,” and “Traces of Writers in Film.”

Through these sections, the course explores the historical formation and rich connotations of literary classics, helping students understand narrative strategies, character construction, and thematic implications within literary texts. It also analyzes how films transform and recreate literary works through cinematic language, color and lighting, visual imagery, and narrative adaptation, while examining the contemporary contexts and value reconstruction involved in film adaptations.

Through the dialogue between text and image, the course guides students on a journey across a century of Chinese history, enabling them to experience the human world, human life, emotions, and human nature within the process of modernization. At the same time, it encourages exploration of key themes such as enlightenment and revolution, tradition and modernity, gender and the body, memory and trauma.




Syllabus

  • Chapter 1 Li Jieren’s Ripples Across Stagnant Water — Ling Zifeng’s Kang
    • 1.1 Overview of the Work and Character Analysis
    • 1.2 Analysis of Artistic Features in the Novel and Film
  • Chapter 2 Eileen Chang’s Love in a Fallen City — Ann Hui’s Love in a Fallen City
    • 2.1 Cinematic Writing in Eileen Chang’s Love in a Fallen City
    • 2.2 Misalignment in the Film Love in a Fallen City
  • Chapter 3 Wang Shuo’s Wild Beast — Jiang Wen’s In the Heat of the Sun
    • 3.1 Sunlit Youthful Fantasy
    • 3.2 Narrative Analysis of the Novel and Film
  • Chapter 4 Zhou Keqin’s Xu Mao and His Daughters — Wang Yan’s Xu Mao and His Daughters
    • 4.2 Film Adaptation
  • Chapter 5 Yu Hua’s To Live — Zhang Yimou’s To Live
    • 5.3 Film Adaptation of To Live
  • Chapter 6 Chen Zhongshi’s White Deer Plain — Wang Quan'an’s White Deer Plain
    • 6.3 Evaluation of Gains and Losses in the Film Adaptation
  • Chapter 7 Ba Jin’s Family — Chen Xihe & Ye Ming’s Family
    • 7.1 Transformation Between Cinematic and Literary Narratives
    • 7.2 Literary Expression in Film Adaptation
  • Chapter 8 Lu Xun’s Regret for the Past — Shui Hua’s Regret for the Past
    • Chapter 9 Xiao Hong — Ann Hui’s The Golden Era
      • 9.6 Alternative Cinematic Narrative Style
    • Chapter 10 Eileen Chang — Yim Ho’s Red Dust
      • 10.3 The “Chang–Hu Romance” as a Rashomon Narrative
    • Final Exam

      Taught by

      Libing Zhang, Yingguang Xie, Xuedong Wang, Fang Wang, Yao Chen, and Yijie He

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