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ABOUT THE COURSE:This course will offer a comprehensive and unique introduction to a canonical and indispensable literary field: Twentieth Century Poetry in English. The course will be a useful addition to the NPTEL course offerings because it covers poets and poems not covered in other courses. The selection is also based on new scholarship in the literary history of English poetry. Scholars have recently begun to study the multiple ways in which lyric poetry fills important links in the history of modernism. Hence the unconventional beginning with the lyric poems of Thomas Hardy, usually known as a writer of late Victorian realist prose. The lyric voice of Hardy overshadows a wide range of poetic work to follow in the 20th century. The course then reads the pathos of war, and the consolations of religious faith, in the lyrics of HD and T. S. Eliot. The mid-century focus falls on the work of Adrienne Rich, Elizabeth Bishop, and Sylvia Plath, a powerful trio of American women poets. The course then turns to two epics of the twentieth century: Walcott’s Omeros and Merrill’s The Changing Light at Sandover. Overall, these works provide a wide-ranging, exhaustive, and representative view of twentieth century poetry. Taken together, a study of these poets and poems allows this course to exemplify a study of diverse themes such as gender, race, empire, along with a sensitive and historically accurate attention to the intricacies of genre, tone, style, and form. Both close-reading, and historically-oriented contextual readings will situate these writers in a composite history of twentieth-century poetry.INTENDED AUDIENCE: This course will appeal to the following audiences:1. Individuals engaged in the formal study of English literature at the UG, PG, and Ph.D level.2. Individuals pursuing their study of English Literature from their own interest.3. General readers who have read classic works of English literature on their own,and wish to gain a deeper understanding and appreciation of the history, context, and theory of the Victorianera.4. Any young professional who would like to develop their profile, employability, and soft skills by learning the art of close reading, critical thinking, and empathetic imagination.PREREQUISITES: None. Students should be comfortable reading and writing English prose and poetry.INDUSTRY SUPPORT: All industries value the following skills, that accrue from the study of literature, and writing about literature:1. Effective verbal and written communication2. Decision making3. Leadership4. Emotional intelligence5. A wide range of soft skills
Syllabus
Week 1 :Last Romantics: Yeats and Hardy
Module 1 : The Long Twentieth CenturyModule 2 :“Lake Isle of Innisfree”: Art of Close ReadingModule 3 :Romanticism, Victorianism, and their LegaciesModule 4 :Grief, Writing, and ElegyModule 5 :Thomas Hardy, Poems 1912-1913
Week 2 :Stevens, Frost, and Beyond
Module 1 :Frost and Victorian PoeticsModule 2 : American pastoralModule 3 :Wallace Stevens and American modernismModule 4 :“Anecdote of the Jar”Module 5 : Intertextual Connections
Week 3:Marianne Moore
Module 1 :The American CenturyModule 2 :“A Service to the English Language” Marianne Moore’s linguistic prowessModule 3 :The Poetry of ObjectsModule 4 :Marianne Moore, Complete PoemsModule 5 :Intertextual Connections
Week 4:Imagism and BeyondModule 1 :The Great War and PoetryModule 2 :“Eurydice” and Modern HellenismModule 3 :HD, TrilogyModule 4 :William Carlos Williams: Physician, Scholar, PoetModule 5 :The Red Wheel Barrow
Week 5:Eliot and Auden
Module 1 :The Great War and its HumanityModule 2 :Illness, Care, and PoetryModule 3 :T.S. Eliot, Four Quartets: 1Module 4 :T.S. Eliot, Four Quartets: 2Module 5 :Auden, Another Time (1940)
Week 6:Auden and Larkin
Module 1 :Post War AestheticsModule 2 :“the Auden group”: Classicism, Marxism, and PoetryModule 3 :Auden, The Age of Anxiety (1948)Module 4 :Philip Larkin, The Less Deceived (1955)Module 5 :Philip Larkin, High Windows (1974)
Week 7:Elizabeth Bishop, Selected Poems
Module 1 :Poetry and GlobalizationModule 2 :American LyricismModule 3 :Nationalism and PostcolonialismModule 4 :Bishop and the Western Literary CanonModule 5 :Intertextual Connections
Week 8:Sylvia Plath, Selected Poems
Module 1 :Poetry and EducationModule 2 :Domestic LyricismModule 3 :The Modern ElegyModule 4 :Plath and ModernityModule 5 :Intertextual Connections
Week 9:Adrienne Rich, The Dream of a Common Language
Module 1 :Poetry and Politics Module 2 :Poems and Intellectual LaborModule 3 :Feminism and LanguageModule 4 :Race, Gender, and FormModule 5 :Intertextual Connections
Week 10:Derek Walcott, Omeros
Module 1 :Postcolonial HomerModule 2 :Poetry in the CaribbeanModule 3 :A Transnational PoeticsModule 4 :Writing BackModule 5 :Race, Writing, and Difference
Week 11:James Merrill, The Changing Light at Sandover
Module 1 :Hellenism and ModernityModule 2 :Literature and Queer AutobiographyModule 3 :Verse Novel: A HistoryModule 4 :The Modern EpicModule 5 :Ghosts of Literary Pasts
Week 12:Arun Kolatkar’s Anglophone Worlds
Module 1 :Pilgrim Poetry: English in India and BeyondModule 2 :Bilingual Modernism in EnglishModule 3 :Temple Country: Jejuri and English RealismModule 4 :Modernism and Satirein 20th century IndiaModule 5 :Looking forward: the21st century and beyond
Module 1 : The Long Twentieth CenturyModule 2 :“Lake Isle of Innisfree”: Art of Close ReadingModule 3 :Romanticism, Victorianism, and their LegaciesModule 4 :Grief, Writing, and ElegyModule 5 :Thomas Hardy, Poems 1912-1913
Week 2 :Stevens, Frost, and Beyond
Module 1 :Frost and Victorian PoeticsModule 2 : American pastoralModule 3 :Wallace Stevens and American modernismModule 4 :“Anecdote of the Jar”Module 5 : Intertextual Connections
Week 3:Marianne Moore
Module 1 :The American CenturyModule 2 :“A Service to the English Language” Marianne Moore’s linguistic prowessModule 3 :The Poetry of ObjectsModule 4 :Marianne Moore, Complete PoemsModule 5 :Intertextual Connections
Week 4:Imagism and BeyondModule 1 :The Great War and PoetryModule 2 :“Eurydice” and Modern HellenismModule 3 :HD, TrilogyModule 4 :William Carlos Williams: Physician, Scholar, PoetModule 5 :The Red Wheel Barrow
Week 5:Eliot and Auden
Module 1 :The Great War and its HumanityModule 2 :Illness, Care, and PoetryModule 3 :T.S. Eliot, Four Quartets: 1Module 4 :T.S. Eliot, Four Quartets: 2Module 5 :Auden, Another Time (1940)
Week 6:Auden and Larkin
Module 1 :Post War AestheticsModule 2 :“the Auden group”: Classicism, Marxism, and PoetryModule 3 :Auden, The Age of Anxiety (1948)Module 4 :Philip Larkin, The Less Deceived (1955)Module 5 :Philip Larkin, High Windows (1974)
Week 7:Elizabeth Bishop, Selected Poems
Module 1 :Poetry and GlobalizationModule 2 :American LyricismModule 3 :Nationalism and PostcolonialismModule 4 :Bishop and the Western Literary CanonModule 5 :Intertextual Connections
Week 8:Sylvia Plath, Selected Poems
Module 1 :Poetry and EducationModule 2 :Domestic LyricismModule 3 :The Modern ElegyModule 4 :Plath and ModernityModule 5 :Intertextual Connections
Week 9:Adrienne Rich, The Dream of a Common Language
Module 1 :Poetry and Politics Module 2 :Poems and Intellectual LaborModule 3 :Feminism and LanguageModule 4 :Race, Gender, and FormModule 5 :Intertextual Connections
Week 10:Derek Walcott, Omeros
Module 1 :Postcolonial HomerModule 2 :Poetry in the CaribbeanModule 3 :A Transnational PoeticsModule 4 :Writing BackModule 5 :Race, Writing, and Difference
Week 11:James Merrill, The Changing Light at Sandover
Module 1 :Hellenism and ModernityModule 2 :Literature and Queer AutobiographyModule 3 :Verse Novel: A HistoryModule 4 :The Modern EpicModule 5 :Ghosts of Literary Pasts
Week 12:Arun Kolatkar’s Anglophone Worlds
Module 1 :Pilgrim Poetry: English in India and BeyondModule 2 :Bilingual Modernism in EnglishModule 3 :Temple Country: Jejuri and English RealismModule 4 :Modernism and Satirein 20th century IndiaModule 5 :Looking forward: the21st century and beyond
Taught by
Prof. Aruni Mahapatra