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LinkedIn Learning

Audio Mixing Master Class

via LinkedIn Learning

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Overview

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Become a master audio mixer. Get a master class in audio mixing from one of the music industry's most admired teachers, Bobby Owsinski.

Syllabus

Audio Mixing Master Class
  • The Abbey Road reverb trick
  • The Real NYC compression trick
  • The secret to "punchy" drums
  • Give your vocal an awesome airy sound
  • Dr. Pepper 1176 setting
  • Low-volume listening for a great mix balance
  • The secret SSL buss compressor setting
  • Using a short reverb for a massive sound
  • Make your mixes hot and loud
  • The Van Halen guitar sound trick
  • Give your bass some low-end definition
  • Make your vocal shine with a stereo delay
  • Add some excitement to your boring pad tracks
  • Make your programmed hi-hat come alive
  • Get that old-school delay feedback
  • Eliminate unwanted track noises like the pros
  • Short reverb decay is your friend
  • The 1176 British "nuke" setting
  • The mono spring vocal surprise
  • Put some "smack" in your snare
  • "Space" for your keyboard tracks
  • The secret to panning background vocals
  • The “nail In the paddle” rock kick sound
  • The Hank Marvin multihued delay trick
  • Emphasizing the beat with a pumping rhythm guitar
  • Simulating a tape delay
  • Parallel compression for punch with dynamics
  • How to get reverse reverb
  • Tweak your track timing like the pros
  • The biggest sound from the shortest delay
  • The ultimate 80s guitar room sound
  • Taming the picked bass
  • The secret to gated drums
  • The exploding snare trick
  • The awesome double-effect trick
  • The moving filter trick
  • The terrific timed reverb trick
  • Acoustic guitar peak limiter trick
  • The Tommy Lee thunder drums trick
  • The mono listening trick
  • The pitchy vocal coveruo trick
  • Tighten up releases
  • The large and thick background vocal trick
  • The legendary layered reverbs trick
  • Bones Howe 1176 setting
  • The big pad reverb trick
  • Effective effects automation
  • Eliminating clicks and pops
  • EQing the mix buss
  • The magic of mono reverb
  • Adding presence with flanging
  • Insanely big room sound
  • EQ your vocal with multiband compression
  • The Abbey Road double-track trick
  • The secret Pultec bass setting
  • Increase your background vocal energy
  • EQing the perfect club kick
  • Another exploding snare trick
  • Perfect DI and mic'd bass phase
  • Finding the Elton John piano sound
  • Effecting the effects
  • Panning outside the speakers
  • The wisdom of dotted and triplet delays
  • Increase your room mic presence
  • The dbx 160 punchy drum setting
  • Dual untimed vocal slaps
  • Tuning the kick to the song
  • De-essing the reverb
  • Let's hear it for mid-side processing
  • Dial in your low end with an RTA
  • Add some air to that piano
  • Lock the feel of the bass and kick
  • Swept midrange guitar trick
  • Hat pad trigger trick
  • Big thump snare
  • Single word delay
  • Drum replacement
  • Keyboard life
  • Balance kick and bass
  • Ducked reverb
  • Autopanning
  • Tame peaky acoustic guitar
  • Snare ambience
  • Pitchy vocal
  • Snappy snare
  • Super big reverb
  • Spectral widening
  • Clean overheads
  • Argo vocals
  • EMT short room
  • Massive snare
  • Compressed reverb
  • Bass wide
  • Vocal control
  • Compressed guitars
  • Snappy snare
  • Dry vocals
  • Bass trigger
  • Hard snare
  • Drum phase
  • Floppy kick
  • Rough mix
  • Make your drums fills more dynamic
  • The filter boost technique
  • Add some sizzle to your snare
  • That big wide guitar sound
  • Hear every hat nuance
  • Micropan for greater track separation
  • Make those toms bombastic
  • The power of the high-pass filter
  • Add some ambience to your percussion
  • Flat fader mixing
  • Get control of your cymbals

Taught by

Bobby Owsinski

Reviews

4.8 rating at LinkedIn Learning based on 247 ratings

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